My father won in 1939, which paid for our first holiday ever – and last before the war started. I would love to find the John Bull magazine in which he won. How would I go about it?
This will be tricky because the magazine did not always print the winners’ names, though readers could send in for a list of the winners. I don’t know if the names were published in 1939.
First, I’d suggest narrowing the dates down as much as possible. War was declared on September 1, so, assuming the holiday was in July, that’s half a year’s worth of issues to go through – say 30 copies.
There aren’t many places to find these issues, but potential sources include:
a library that stocks the title. Reference libraries such as the British Library will have them. Also, some universities; maybe big city libraries. You may have to register to gain access, but they are usually very happy to help over the phone or by email.
eBay. Sellers might be prepared to check issues for you (it also gives them an idea for marketing their copies). However, an eBay search on John Bull shows there’s just one issue on offer at present: Oct 7. Another October issue sold in August. At that rate, it’s likely to be a long wait.
An even longer eBay shot: certificates to winners occasionally pop up on eBay.
Of course, getting access to the issues is only any good if they printed the winner names. The 1935 Dictionary of Bullets did not print the winners’ names, just the bullets and answers, so I assume other editions did not either. However, there is another possibility. In the 1930s, Bullets Bulletins leaflets were published. I don’t know if these went out with the magazines or were sent to regular Bulleteers. These ran stories about at least some of the winners. I’ve seen one dated 1 January 1933 and numbered 210, so it must have run for several years. Libraries may have these.
My final suggestion, Jeanne, is asking around, just like you are doing. Ian Cowmeadow and his Bill the Bullet blog is another place to start.
London Opinion was a popular weekly magazine of the Edwardian period that was heavily illustrated by various black and white artists, such as Alfred ‘Your Country Needs You’ Leete and Bert ‘Are a Mo, Kaiser’ Thomas. This cover, dated 11 April 1908, is signed, but heaven knows what the signature says!
The cover by the unknown illustrator is unusual in that it combines both line illustration and halftone. The halftone reproduction is reserved for the face.
Halftone reproduction is only used for the face on this London Opinion cover
At this stage, Leete does not appear to be one of the star illustrators, though he was regularly doing covers by 1914 when he did the Kitchener image that became the famous recruiting poster. He has at least three illustrations in this 1908 issue, judging by his signature with its dropped ‘T’.
Alfred Leete’s signature can be seen on this cartoon
‘Put-U-Up’ is one of those expressions that’s a household phrase to me for a folding bed, but, as this pre-war colour advert shows, it was an actual brand, made in Clapton, east London.
The full-page advert is from a 1939 copy of the tabloid-sized Illustrated, one of the biggest-selling weekly magazines at the time. It was a rival of Picture Post, and later John Bull, when the latter adopted colour after the war. Its sales at the time will have been about a million copies a week. Illustrated was printed in Watford for its Covent Garden-based publisher, Odhams Press. It closed in 1957, a time when magazines were losing advertising revenue and readers to commercial television.
The cover of Art Buchwald’s 1968 book is on the wall of the editor’s office in The Post
I rabbit on so much about Alfred Leete’s Kitchener poster that I wrote a book about it, but it still never ceases to amaze me the way that Leete’s Kitchener image – and the many derivatives of it – keep popping up. One example is in the Steven Spielberg film, The Post.
A poster for Have I Ever Lied to You?, a book by the Washington Post columnist Art Buchwald, is on the wall of the editor’s office. It can be seen in several scenes. Buchwald is portrayed as Uncle Sam from the 1917 recruiting poster by James Montgomery Flagg.
The Flagg image, which, like Leete’s, first appeared on a magazine cover (Leslie’s Weekly), was a blatant copy of Leete’s September 1914 cover for London Opinion magazine. Flagg simply replaced Kitchener with himself as Uncle Sam, and the poster has been as big a hit in the US as Leete’s was in Britain.
In The Post, Tom Hanks plays the editor, Ben Bradlee. It comes across just like the 1980s TV series Lou Grant. In that, Mrs Pynchon, the widowed owner of the fictional Los Angeles Tribune, was based on two women: Katherine Graham, the widowed owner of the Washington Post; and ‘Dolly’ Schiff, owner and publisher of the New York Post.
Alfred Leete, creator of the Your Country Needs You poster of Kitchener, had a distinctive signature for his work, as did one of his artistic contemporaries, Lawson Wood, the creator of the Gran’pop chimpanzee character. Both were famous illustrators and in both cases, the signature evolved over time.
Richard ‘Dicky’ Doyle’s monogram from Punch
Other illustrators and cartoonists used a monogram, a graphic device made up of their initials. A great example of this was the Punch illustrator Richard Doyle. He used a reversed R to share the upright of the D, with a bird on top to symbolise his nickname, Dicky Doyle. Monograms seem to have become less popular in the 20th century, but Simon House has a spread of Victorian examples in his book, The Dictionary of 19th Century British Book Illustrators.
Leete’s and Wood’s signatures are easy to make out, whereas Doyle’s is a rebus. However, some cartoonists’ signatures seem perverse in their illegibility – Gilbert Wilkinson being a prime example with his covers for Passing Show and Illustrated weekly magazines.
To help get my head round them all, I’ve started a page of signatures and monograms on Magforum with 100 examples. Another illegible example is East on a Health & Efficiency cover – pointers as to what it says or in identifying some others would be appreciated!
Illegible signature for part of ‘East’
To see almost 500 magazine covers and pages, look out for my book, A History of British Magazine Design, from the Victoria & Albert Museum, the world’s leading museum of art and design
Sales of fashion monthly Marie Claire once rivalled Cosmopolitan – but are now half
Had an email yesterday morning from the editor of one of the biggest Time Inc UK weeklies asking for a correction to my listings – I had mistakenly said the title had closed. No problem I thought, but the request seemed a bit odd until I saw this Press Gazette headline later in the day – ‘UK magazine giant Time Inc puts 111 journalists at risk of redundancy‘.
Time Inc wants to group editorial staff on some of its biggest titles into one central ‘hub’, says Press Gazette. Really bad move – the result will be to blandise the titles and diminish their identity. No doubt it will also be the harbinger of more cuts to come. Central subbing units tend to be ideal targets for ‘outsourcing’ or moving to the far corners of the country.
The magazine titles involved include Woman & Home (£4.30; sales 319,000; 36% subs; about 10% multi-packed), Marie Clare (£3.99; 153,000 sales; 20% subs; 15% frees) and Look(90,000 fortnightly; 3% subs; 11% frees). Digital circulation adds about 1,000 to each figure. That’s two very different monthlies and a fortnightly all expected to be put together by the same people. I’m surprised the French owners of the Marie Clare name haven’t objected.
The company wants to cut 300 staff globally.
I felt it was bad news when the IPC owners sold the company to US-based Time Inc, and particularly when they dropped the IPC name. The moment you become a bracketed subsidiary of a company that ends in ‘Inc’, it never ends well (is it Time Inc (UK) or Time (UK) Inc? Should there be a Ltd at the end of that too?). So it has proved. The US owners have done nothing but sell off titles and have even sold their Blue Fin headquarters building in Borough, London, to lease it back. hardly the actions of a company in it for the long term.
It’s a sad day that once-great names such as Newnes, AC Pearson, Odhams, Amalgamated, Fleetway and IPC – the ‘Ministry of Magazines’ of the 1970s – have been reduced to a ‘garage sale’ of brands in the hands of uncaring American masters.
To see almost 500 magazine covers and pages, look out for my book, A History of British Magazine Design, from the Victoria & Albert Museum, the world’s leading museum of art and design
Front cover of the first issue of Mrs Bull magazine in 1910
Horatio Bottomley launched one of the most successful magazines of the 20th century, John Bull. He was less successful in launching this weekly magazine for women, Mrs Bull, in 1910. The launch cover of the magazine – by the artist Lawson Wood who is remembered today for his humorous animals, particularly the Gran’ Pop series – is shown above. It lasted until 1913, when it changed its name to Mary Bull, but that closed in March 1915.
Full-page advert for Farrow’s Bank for Women in Mrs Bull magazine in 1910
The first and only Bank for Women in the United Kingdom which is entirely managed by women
This was the era of the suffragette and the image appears to exploit that connection, showing what could be Emmeline or Sylvia Pankhurst giving a speech at the base of Nelson’s Column in Trafalgar Square, which was then a popular place for meetings.
The opening of the bank was noted as a ‘very significant event’ for the women’s movement in an Australian paper, the Courier Home Circle, dated 18 May 1910:
THE FIRST LADY BANK MANAGER
A very significant event in the annals of the women’s movement was the opening lately of Farrow’s Bank for Women, the first women’s bank in England. Even more important, from a woman’s point of view, is the appointment of a woman to the responsible billet of manager, as well as of a staff composed exclusively of women.
To Bliss May Bateman, well known in literary circles as a writer of poems, novels, and articles on foreign literature in the reviews, has fallen the pioneer honour of directing Great Britain’s first bank for women.
In June 1913, the feminist journal The Awakener carried a full page advert for Farrow’s Bank for Women, where ‘ladies find a courteous and obliging staff of their own sex, ready to assist them in any and every detail of Banking and Finance’.
Farrow’s Bank at 1 Cheapside in the City of London, the owner of the women’s bank, described itself as ‘the people’s bank’. However, Farrow’s collapsed just ten years later and has been cited in academic journals as an example of management hubris:
Farrow’s was in a complete state of insolvency when it opened its Women’s Bank, which was merely a desperate attempt to pull in more money. The bank was only kept open through an elaborate system of accounting fraud, which was finally exposed in 1920.
Today, the first issue of the cover new John Bull magazine, 27 February 1960
The year 1960 was a watershed in the history of weekly magazines. The sales of women’s weeklies peaked and the general interest weeklies were already well on the slide, with Picture Post, Illustrated and Everybody’s having already folded. They needed to maintain sales of a million copies a week to be able to offer national coverage to advertisers, but the world was changing, with magazine readers turning into television viewers.
This first issue of Today is part of that change. The 27 February 1960 issue of the ‘new John Bull, incorporating Everybody’s Weekly‘ marked the end of one of the most famous – and at times notorious – magazine titles in publishing history.
The bizarre cover photograph promoted a colour centre-spread on skiing.
Marketing was vital to keeping up magazines sales, so this issue included:
A win a car competition – promoted on the cover as the £1,000 competition.
Free insurance offer for registered readers – a technique that went right back to the 1880s with railway insurance from Tit-Bits and, in the First World War, insurance against being killed or injured in a bombing raid in Britain.
Note the plug on the cover for that other vital ingredient of magazines, fiction, with the ‘Trustee from the Toolroom’ by Nevil Shute being serialised.
Today was printed by Odhams in Watford, Herts, and published by Odhams Press, Long Acre. The editorial office was at 189 High Holborn. It came out every Wednesday.
To see almost 500 magazine covers and pages, look out for my book, A History of British Magazine Design, from the Victoria & Albert Museum, the world’s leading museum of art and design
The first issue of Woman’s Realm dated 22 February 1958
Woman’s Realm was launched as a mass-market women’s weekly magazine on 22 February 1958 to take sales pressure off Woman – which was selling three million copies an issue – and use printing capacity at a plant in Watford, Herts, owned by Odhams, its publishers.
Woman’s Weekly was an updated version of the well-tried formula of fiction plus domestic tips and information. By 1960, the latter dominated. It added a medical page, personal problems, fashion and regular spots for children. The Odhams publicity machine took sales to over a million. Clarity of hints on domestic matters in Woman’s Weekly, particularly cookery, kept those readers.
There had been intense rivalry since the 1930s between Odhams with Woman, George Newnes with Woman’s Own and Amalgamated with Woman’s Weekly (the oldest of the women’s weekly magazine trio, dating back to 1911). There was also a printing rivalry with both Woman and Woman’s Own being printed in Watford, at Odhams – the Art Deco building is still a print works today – and Sun Engraving. All that is left of the Sun plant, the biggest printing works in Europe in the 1930s producing a huge range from Picture Post to Vogue, is the clock building that stood at the factory entrance, some road names and a Sun bar in a hotel built on the site.
In spring 2001, Woman’s Realm magazine folded after 43 years and was merged with sister title Woman’s Weekly. Press reports quoted editor Mary Frances saying it could not get away from its old-fashioned image and an ‘association with knitting patterns’. Most sales for mass-market magazines had been falling since 1960 but Woman’s Realm had seen a sharp drop in 2000, down 15% year-on-year to 152,053. It was selling 500,000 copies a week in 1989.
Woman’s Weekly has proved its staying power over more than a century, having overtaken its more lavishly designed rivals to register an ABC figure of 276,208, with no freebies, against Woman (208,145) and Woman’s Own (185,172).
Contraction in magazine publishing had set in during the 1950s after the launch of commercial television and later Sunday newspaper supplements. Odhams, Newnes and Amalgamated all merged to form IPC – which then controlled the bulk of British magazine sales – in the 1960s. In 2001, the group ended up in the hands of the US media group Time Inc. Turmoil in the US owners has resulted in cost-cutting and turmoil for the UK offshoot since 2018 and a massive drop in value for the company.
Addendum (April, 2019; February 2020)
With magazine sales in gradual decline, IPC was bought and sold several times:
1998: Reed Elsevier sells IPC for £860 to Cinven, a venture capital group.
2001: Cinven sells IPC for £1.15 billion to AOL Time Warner. The US publishing giant ran down its British arm, closing or selling many magazines – including Woman’s Realm (after a half-hearted attempt to relaunch it as Your Life under editor Mary Frances). In 2015, it also sold IPC’s Blue Fin office building in London for £415m, moving half of the magazines to an industrial estate in Farnborough.
2018: after Time Inc (what was left of AOL Time Warner) was itself bought by Meredith, another US group, the remains of IPC were sold to private equity company Epiris for a paltry £130m. It changed the name to TI Media.
September 2018: TI sells its comics division to Oxford-based 2000 AD and games publisher Rebellion Developments.
June 2019: TI sells NME and Uncut to BandLab Technologies, a music specialist group established in 2016 and based in Singapore.
September 2019: TI closes the print edition of Marie Claire, a title launched in 1988 as the ‘thinking woman’s magazine’ with serious features, fashion and beauty.
In October 2019, Epiris announced it was selling TI Media‘s 41 brands to Future for £140 million. The new owner said it would own 220 global media brands (nobody just publishes magazines any more). Listed as part of the ‘compelling strategic and financial rationale’ for the deal was the entry into ‘three new specialist verticals’, one of these being Women’s Interest with Woman’s Weekly, Woman’s Own, Woman and Chat. Another reason was that TI Media was historically UK-focused whereas Future had a global operating model.
The official sales figures of the three women’s weeklies at the end of 2018 and 2019 were:
To see almost 500 magazine covers and pages, look out for my book, A History of British Magazine Design, from the Victoria & Albert Museum, the world’s leading museum of art and design
The first issue cover of John Bull from 1 April 1903
Horatio Bottomley is rightly regarded as one of the biggest swindlers in British history, using the pages of both the Financial Times, which he helped found, and John Bull magazine to help promote his financial schemes.
Bottomley was at his most bombastic in the pages of John Bull, which was one of the best-selling magazines during the Great War. It’s the magazine with which he is associated as editor, but, in fact, there was a humorous magazine by the same name launched just a few year before Bottomley used the name, as can be seen above.
The first issue of that John Bull was in 1903 – dated April 1st – and the editor was Arthur William À Beckett, a magazine veteran who had worked on several titles, including Punch, though perhaps not very successfully. The Oxford Dictionary of National Biography describes A.W.’s deputy editorship on Punch from 1880 as presiding over the magazine‘s ‘decline into decrepitude’ because he would change nothing and refused to introduce new blood. Eventually, in 1902, was asked to resign.
A.W. wrote The À Becketts of Punch, about his time on the satirical weekly with his father and brother (Gilbert Abbott and Gilbert Arthur), which was published by Constable in 1903.
The inside masthead for John Bull featured famous names such as Louis Wain, Harry Furniss and Max Beerbohm
The masthead inside the first issue of John Bull by W. Reynolds shows a fabulous roll call of contributors: A.W. carries a bull on his back ahead of a cast made up of A.P. Graves (Irish writer, assistant editor of Punch and inspector of schools), caricaturist Max Beerbohm, cartoonist Harry Furniss, lyricist and writer Adrian Ross, Louis Wain – renowned for his anthropomorphised animals – as Dick Whittington with a devilish-looking cat, Cyril Pearson as a sphinx, Percy Fremlin, adventure writer Sir Gilbert Parker, Sir William Robinson and the Welsh poet Sir Lewis Morris.
A.W. died in 1909, but John Bull appears to have predeceased him, with the British Library holding just one volume, with the final issue dated 25 June 1903.
The magazine was based at 5 Henrietta St in London’s Covent Garden. The street has long associations with publishing. Jane Austen lived at No 9 in 1813-14, the Royal magazine was at No 19 in 1914, along with C. Arthur Pearson’s other titles. In the 20th century, it was the home of Dorling Kindersley for many years.
To see almost 500 magazine covers and pages, look out my book, A History of British Magazine Design, from the Victoria & Albert Museum, the world’s leading museum of art and design
The pointing man from an advert in London Opinion magazine, 17 September 1910
Kate Greenaway painting called ‘Darby and Joan’ on Illustrated London News – or is this a pair of radical printers?
Bovril advert of Hercules fighting a lion by Stanley Berkeley from Young Gentlewoman magazine of 1892
Woman’s Own liked clean cover designs in the 1930s with few cover lines – but notice Ursula Bloom promoted her for a special article (30 July 1938)
Adrian Flowers took this Nova cover (July 1971)
Germany’s leader, Kaiser Wilhelm, with his flamboyant moustache and military uniform, at the start of World War I. He is described as ‘The Ravager’
‘K of K’ – Kitchener of Khartoum – caricature by Will Scott on the cover of Drawing magazine in February 1916
‘Mother Christmas’ cover for Needlewoman magazine from December 1925
The first issue cover of John Bull from 1 April 1903
Lilian Hocknell artwork revived for Christmas 2014 Vintage View from Woman’s Weekly magazine cover
Marilyn Monroe on the cover of Blighty from 1956
This is the cover for the relaunch of Woman’s Own in 1937 as a colour weekly. Note this is a true self referential cover because the woman is holding a copy of the magazine she appears on!
Leader magazine led the world in putting Marilyn Monroe on its cover in April 1946
The Penny Magazine shows itself being sold from what looks like a railway station stall in 1904
FHM June 2004. But what’s happened to the nipples on Abi Titmuss?
Racy illustration by Oldham for the weekly magazine Woman
Popular Flying in 1934 when it was edited by Biggles creator WE Johns
Ronald Searle’s cartoon glossary to printers’ jargon
Cute cover-up: Naomi Campbell on the cover of GQ in April 2000
Strand magazine front cover from March 1891 by George Charles Haité
Detail of Helena Christiansen’s face from the Vogue cover
Karl Marx as the Uncle Sam derivative of Kitchener
José Ferrer as Cyrano de Bergerac on this Everybody’s magazine cover from 10 October 1951. The design has a 3D effect, with the nose appearing to stand proud of the page
John Bull in 1917 – the magazine was used as a promotional tool for Horatio Bottomley’s financial schemes
The first Sunday Times colour section from 4 February 1962 (though the cover is not dated)
Front cover title from Woman’s Own from 19 May 1955
Tatler magazine’s front cover in 1901
A letterpress flyer for the latest serial in Pictorial Magazine – could this 1902 image have sparked Alfred Leete’s imagination?
Madonna cover from i-D dated March/April 1984
The Kitchener poster shown in the third part of the Great War partwork in 1933
Cover of Le Petit Journal of 25 June 1916
New Illustrated starts to change its name to Record Weekly in 1920 (January 17 issue)
Chilprufe advert from Queen magazine in 1961
Kate Moss in Corinne Day photograph on cover of the Face in July 1990
Hand-drawn title for Drawing magazine, February 1916
This logo from the Daily Mail echoes the original masthead for Answers Magazine
The glossy monthly Queen occupied the old Tit-Bits office in 1947
Look, spring 2009
Weekly Illustrated magazine pioneered photojournalism (3 March 1936)
Beautiful Britons glamour magazine first issue cover from November 1955
A different look for the cover of Smash Hits, also in February 1984
New Statesman 1993 jan 29 John Major Clare Latimer
The first issue cover for Carlos, an inflight magazine for Virgin in 2003
Girl Illustrated front cover with Dr Who girl Katy Manning and a Dalek
Billy Fury? James Dean?
Woman’s Fair from January 1940 filled with content from the US, including a Jon Whitcomb cover illustration
Home Chat cover from 19 September 1914 with a front cover story about supporting the Queen’s Guild, which had been set up as a way for women to back the war effort
A whacky contrast in all senses of the word from the previous week
A Heartfield montage on the cover of Picture Post dated 9 September 1939
Debbie Harry and Blondie on the first issue cover of Smash Hits from November 1978
Raphael Sabatini’s Captain Blood brought to visual life on the cover of Pearson’s Magazine (1930) by Joseph Greenup
53 Bedford Square in London’s Bloomsbury. This Georgian building is up for sale at £12 million
Last issue of Rupert Murdoch’s Today newspaper (17 November 1995)
Racy French weekly Vie Parisienne from 1926
Winnie the Pooh appeared exclusively in colour in six 1928 issues of Home Chat
Home Chat, a leading women’s popular weekly, from 14 May
Cover of BOAC’s inflight magazine Welcome Aboard in 1970
Je Suis Charlie – Charlie Hebdo’s website after the murderous attack on its Paris office
Evil victim: Diana Rigg on the cover of the Sunday Times Magazine, 28 February 1982
Margaret Banks drew this charmer for Home Chat magazine in 1938. Note the baby is wearing reins
Tom Browne’s drawing shoe incredible attention to detail; he could do so much with so little
Acorn User magazine cover from December 1982. This issue would have been edited from the Bedford Square offices
Madonna on the front cover of Cosmopolitan magazine in the US for May 1990
Town magazine and the`Girl in Red Water up to her Charlies’ cover from September 1965
Blighty pin-up cover for the popular men’s weekly by MB Tompkins in 1958 (16 August)
One of Miss Fish’s drawings of Eve, from the popular Tatler column
Peter Hack-Brookes cover for Oz from September 1971 – a copy from a US magazine cover by Peter Driben from 1949
Marc Jacobs 2014 Playboy special issue in perspex box
HMS Queen Elizabeth super dreadnought by Harry Hudson Rodmell on the cover of New Illustrated magazine (18 October 1919)
Mussolini writes for the right-wing Britannia magazine in 1927
The first Daleks cover for Radio Times in November 1964
John Gwynn’s poem ‘A Death Mask’ in the Strand magazine appears to have been inspired by a drowned woman in Paris
Madonna rides again on the cover of Cosmopolitan with its May 2015 issue
This 1946 holiday season cover from John Bull forecasts a web fate for the slumbering gent
A colour cover for Crusoe magazine of January 1925
The return of the Daleks to Dr Who in 2005 sparked this gatefold cover for the Radio Times
Opening of 5-page article on the set of 2001: A Space Odyssey with sketches by Clive Arrowsmith in Town magazine
Marion Jean Lyon in 1923
Anna Wintour was told this Madonna cover would not sell
Diana Rigg as The Avengers’ Mrs Peel on the cover of TV World in 1965
An in-your-face spread from Loaded in May 1995
Vivian Blaine from the London stage adaption of the musical Guys and Dolls on the cover of Picture Post in 1953
This cat with its amazing, lip-licking tongue is from a Whiskas advert of 1964
The Observer Magazine cover shows Alexei Sayle as the Hitler diaries forger in the 1991 TV series Selling Hitler
Eddie Hapgood, the England and Arsenal captain, on the cover of Weekly Illustrated in 1934 with his son, Tony