Louis Wain – cats, frogs and his sister

Anthropomorphised frogs from Home Notes by Felecie Wain – Louis Wain’s sister

Louis Wain became famous to Victorians for his humanlike – anthropomorphised – animal drawings, particularly cats, which were widely published, as magazine illustrations, books and cards. He was ‘the man who drew cats’. The image here is from a children’s page in C. Arthur Pearson’s popular women’s weekly Home Notes in 1899, at a time when the prodigious Wain contributed at least a drawing an issue to this magazine alone. However, it is signed ‘Felecie Wain’, Louis Wain’s sister, who was also known as ‘Felice’.

Frog tableaux were popular at the time and Dickens had a small statue of sword-fighting frogs on his desk at his Gad’s Hill home when he died.

According to a Margate newsletter, Wain moved to the neighbouring seaside town of Westgate in 1894 with his four sisters and mother at the suggestion of Sir William Ingram, who lived there and owned Illustrated London News (founded by his father in 1842). Wain’s wife had recently died and Ingram also owned Illustrated Sporting and Dramatic News, where Wain had worked since 1882. The newsletter shows photographs of Wain’s homes and the graves of both his mother and Felecie.

The image below is a drunken Wain cat held by the V&A Museum.

Louis Wain’s ‘Hallo there! We won’t go home till morning’ showing a cat out on the razzle

Louis Wain – cats, frogs and his sister

Anthropomorphised frogs from Home Notes by Felecie Wain – Louis Wain’s sister

 

 

 

 

 

 

Louis Wain became famous to Victorians for his humanlike – anthropomorphised – animal drawings, particularly cats, which were widely published, as magazine illustrations, books and cards. He was ‘the man who drew cats’. The image above is from a children’s page in C. Arthur Pearson’s popular women’s weekly Home Notes in 1899, at a time when the prodigious Wain contributed at least a drawing an issue to this magazine alone. However, it is by ‘Felecie Wain’, Louis Wain’s sister, who was also known as ‘Felice’.

Frog tableaux were popular at the time and Dickens had a small statue of sword-fighting frogs on his desk as Gad’s Hill when he died.

According to a Margate newsletter, Wain moved to the neighbouring seaside town of Westgate in 1894 with his four sisters and mother at the suggestion of Sir William Ingram, who lived there and owned Illustrated London News (founded by his father in 1842). Wain’s wife had recently died and Ingram also owned Illustrated Sporting and Dramatic News, where Wain had worked since 1882. The newsletter shows photographs of Wain’s homes and the graves of both his mother and Felecie.

The image below is a drunken Wain cat held by the V&A Museum.

Louis Wain’s ‘Hallo there! We won’t go home till morning’ showing a cat out on the razzle

 

 

Louis Wain, schizophrenia and cats’ eyes

Louis Wain’s schizophrenic cats’ eyes from Home Notes 1899

Louis Wain was famous to Victorians as ‘the man who drew cats’. There is a theory that Wain had schizophrenia and that the development of the illness can be seen in his cat drawings.

It was not until 1924 that his sisters had him committed to a mental hospital, but this rarely seen sketch from the popular women’s weekly Home Notes in 1899 shows that he had a thing about cats’ eyes even at the height of his powers.