This dramatic cover from Queen magazine of 20 February 1962 was part of a black-and-white feature on ‘mad fashion’ from Italy. Norman Parkinson’s ‘Beauty and the beetles’ photograph shows a model wearing false nails of pearl and coral by the fashion designer Irene Galitzine, famed for her ‘palazzo pajamas’ as worn by Claudia Cardinale in the 1963 film The Pink Panther. Inside, the article also showed Galitzine’s ‘smartest nutty hat in Florence’ and her Corinthian column evening dress.
The Queen had been a society weekly launched by Samuel Beeton (husband to Mrs of cookery fame), but was relaunched by Jocelyn Stevens in 1958 to become part of Swinging Sixties London. Stevens Press was based at 52 Fetter Lane, just off Fleet Street. Art editors on Queen included Mark Boxer, Tom Wolsey from Town and David Hamilton, who was lured back from Paris where he worked with Peter Knapp on Elle magazine.
Queen was later merged with Harper’s to become Harper’s & Queen, though the ‘& Queen‘ became a victim of globalisation when it was dropped by US-owned Hearst UK to standardise the magazine’s name as Harper’s Bazaar across the world.
These days, the big fashion glossies are always thought of as monthlies, but the likes of Harper’s & Queen and Vogue were published twice a month until about 1980.
Articles in this issue included George Melly on the characters of Pulham Market in Norfolk with photos by John Hedgecoe; ‘The Schweitsers: who are they?’ by Colin Macinnes; a London collections spread shot by Terence Donovan; Graham Sutherland at Coventry Cathedral; and a Frank Sinatra profile by the aristocratic Robin Douglas-Home.
In total contrast, how’s this for a cover from a wartime Home Chat of 20 February 1915? The First World War saw food shortages and high prices, and eggs must have been in short supply judging by this issue. The cover, ‘How to tell a fresh egg’, suggests holding the egg up to a candle, gas or electric light. It illustrates ‘red spots’, ‘blood rings’, the yolk sticking to the shell or settling at the bottom, and black mold as signs that an egg is stale or bad.
Home Chat was one of Alfred C. Harmsworth’s weekly launches that spawned the Amalgamated Press magazine empire. Its format was about about half way between A5 and A4. Its mix of social gossip, home hints, dress patterns, short stories, recipes and competitions kept this popular women’s weekly going from 1895 to 1959.
To see almost 500 magazine covers and pages, look out for my book, A History of British Magazine Design, from the Victoria & Albert Museum, the world’s leading museum of art and design